| dc.description.abstract | This study examines the representation of poverty in two contemporary
films: "Shoplifters" (2018) by Hirokazu Kore-Eda and "Rosie" (2018) by Paddy
Breathnach. Using Peirce's semiotic theory and Hall’s representation theory as an
analytical framework, the research explores how these films depict poverty in Japan
and Ireland, respectively, despite both nations being considered developed
countries. The study employs a qualitative approach to analyze the films’ portrayal
of poverty through the lens of the Multidimensional Poverty Index (MPI), focusing
on health, education, and standard of living. Findings reveal that while both films
address poverty, they present distinct narratives: "Shoplifters" emphasizes physical
health challenges and informal education in a substandard living environment,
whereas "Rosie" highlights the mental health impacts of homelessness and its
disruption to formal education.
The analysis demonstrates how cinema can serve as a powerful medium for
social commentary, offering nuanced representations of poverty beyond mere
financial deprivation. This research contributes to the broader understanding of
poverty representation in film and underscores the medium's potential for raising
awareness about complex social issues. The study concludes that these cinematic
portrayals provide complementary perspectives on the multifaceted nature of
poverty, illustrating its pervasive effects on various aspects of human life in
seemingly prosperous nations. | en_US |
